The
Little Yoga Book
by Erika Dillman
1. Discovering Yoga
The Yoga
Dictator
I had done some yoga breathing once when a
yoga teacher came to my office to conduct a relaxation workshop. The
breathing exercises had helped my lungs and my head feel better, although
I felt a little funny lying on the floor making breathing noises in front
of my co-workers. Something that the teacher said had stuck with me, even
though I didn't fully believe it. She said that yoga helped balance and
unite mind and body.
Curious to find out more and propelled by
desperation, I signed up for my first yoga class, despite a lingering
skepticism. Breathing exercises in my office were one thing, but I was
sort of a jock. I had never appreciated the value of an exercise that
didn't involve sweat, pain, and competition. And weren't yoga people kind
of weird? I wasn't too sure about meeting them on their own turf.
I associated yoga with a murky, mystical,
other-worldly aura. I imagined dark rooms filled with patchouli incense
and rows of thin, ascetic men and women sitting in the lotus position,
chanting in trance-like unison. I couldn't shake from my mind the pictures
I'd seen in yoga books of gaunt, solemn men, wearing what looked like
giant diapers, with one leg wrapped around their necks, and cold,
expressionless women in Jack LaLanne style polyester unitards
nonchalantly twisting, bending, and lifting themselves into torturous
positions.
These images intimidated me because I knew
that MY body could never do that, but also because I didn't feel any
energy or joy from the pictures. They were too serious and nobody seemed
to be having any fun. I thought that they must all belong to a secret club
where everyone was miserable. That was the price you had to pay for
enlightenment.
Unfortunately, my worst suspicions were
confirmed when I attended my first yoga class. I was pretty nervous about
being there because I didn't like putting myself into unfamiliar physical
situations when I was so out of shape. I didn't know the rituals, the
lingo, the protocol. And I had long before lost all confidence in my frail
body.
The teacher, a brisk, short, hard-eyed
woman in a tight aqua-blue unitard, came in, took my money (scolded me for
paying with a check), and sent me to the other side of the room. As other
people filed in and took their spaces on the floor, I started to feel
dreadful. Once the class began I had no idea what the teacher was doing or
how to breathe.
I struggled with every pose, feeling weak,
tired, and foolish. At one point, the teacher marched over to me, grabbed
my head and pulled it down into her face, rubbing my forehead with her
thick, strong thumbs, commanding, "You cannot do yoga with a grimace!
Open your third eye." I was dying. I'd tried so hard to blend in and
not make a spectacle of myself, and there I was with everyone looking at
me and my third eye refusing to cooperate. I was determined to make it
through the class, though, and I stuck with it, trying not to grimace as I
twisted and contorted my scrawny, inflexible body.
Occasionally, the yoga dictator came over
and yanked the hair on top of my head to remind me to stand up straight.
Then, just when I was starting to feel like she'd forgotten about me, she
called me to the front of the room to help her demonstrate a pose for the
class. She stood bolt upright and started tightening and flexing her
buttock muscles and rotating her ankles in some bizarre pose. Then she
grabbed my hands, placed them on her butt and told me to hold on to her,
then slide my hands down her legs to her ankles, so I could feel what her
muscles were doing.
Okay. I'm from the Midwest; we don't touch
other peoples' butts. Not for any reason. And we certainly don't do it in
front of a room full of mirrors and people dressed in black leotards. I
was mortified. As soon as class was over, I fled, traumatized (but with
better posture). I never went back, and it took an entire year for me to
try yoga again.
I realized later that I had let my
misconceptions about yoga get to me, and my pride keep me from looking for
another class. The fact that the yoga dictator has classes to teach means
that some people enjoy and thrive under a strict, disciplined format, but
that style didn't work for me.
Before my illness I had always jumped into
new situations, able to start in the middle, but that wasn't who I was
when I was sick. I needed a different approach. I had to start at the
beginning, and I needed basic instructions, patience (from myself and from
my teacher), and a minimum of jargon about third eyes.
I Start Bending
My second attempt at yoga came a year
later, after nearly two years of illness. My condition had become worse,
and I'd been forced to quit my job. I spent six months doing nothing but
sleeping and worrying that I was dying. Too exhausted and disoriented to
drive a car, read, or talk on the phone, I spent most of my days and
nights lying on the couch, staring vacantly at the TV. Despite sleeping
twelve to fourteen hours a night, taking a two-hour nap after breakfast,
and another nap after lunch, I was still too exhausted most days even to
shower. My formerly strong, athletic body became weak, atrophied, and
emaciated. I had no energy, and I was deeply depressed.
After another few months, anxious to get
moving again, I began taking short five-minute walks to the grocery store
a couple of times a week. One day I saw a bright pink fIyer on the store
bulletin board that advertised "FUN Yoga." After talking with
the teacher on the phone, I felt relieved. She seemed to understand my
situation, and her kind voice put me at ease. The class sounded like just
what I needed to get started: breathing exercises and stretching and
flexibility poses all at my own pace. This time it was going to be
different. I was determined to reconnect with my body, and I knew that if
I could do that I could also ease the tension in my mind.
I was still a bit self-conscious when I
arrived at class a few days later, but I soon felt that I was in the right
place. There were only a handful of people sitting and talking on the
floor in a small, dark room, and they all looked pretty normal. No fancy
unitards, no mirrors, no solemn faces, just ordinary people in baggy
sweats and T-shirts. As we went around the room introducing ourselves, I
realized that I wasn't the only beginner or the only person with health
problems.
The class lasted an hour, but I ran out of
steam after five minutes. I was so frail; every movement sent me into a
coughing, choking fit. I spent the rest of the class exhausted and dizzy,
resting on my blanket and trying to stay awake.
Within about four months, three women and
myself had become the core group of "regulars." Because the
class was small we each received a lot of personal attention, which helped
us gain confidence in learning the poses, and we became friends. We
lingered after class to talk about our respective health rituals and swap
phone numbers for naturopaths, acupuncturists, and massage therapists. I
looked forward to the class every week because it was the one time I got
out of the house and had some fun.
Unlike in the yoga dictator's class, we
laughed as we attempted to twist, bend, and stretch our unwilling bodies
into alignment. We whined about doing difficult poses (I used to ask,
"Can't we do the yoga of lying down?"), and we often joked that
someone should put us, with all of our giggling and imperfections, in a
yoga video called "Yoga for Real People."
By this time I had worked up to doing
fifteen minutes of yoga each class before I had to rest, and it took
another two or three months before I could last for thirty minutes.
Finally, after nine months, my lungs became less sensitive, my breathing
improved, and I noticed that I was able to do several of the poses without
collapsing.
During this period, I continued to draw my
cartoons, and they slowly changed. I no longer drew myself as a cowering
victim, although I still sometimes drew myself as a weak, exhausted skinny
person. More often, I drew the me I wanted to be: smiling, active,
energetic. I started drawing myself doing yoga, socializing with friends,
and working at my desk, hoping that my body would someday catch up with my
cartoon self.
I also drew because I found in my daily
practice that I couldn't always remember the poses I had learned in class.
Once I saw a picture, though, my body remembered exactly what to do. The
more poses I learned, the more pictures I drew. After time, my yoga
practice and my drawing both improved and began to enhance each other.
When I was drawing I started to see new
possibilities in how I approached the poses that I was struggling to
master in class. And when I was learning a new pose in class, I visualized
my cartoon self in the pose so that I would be able to draw it later. This
process helped me take a few more steps toward mind-body awareness.
After a year, I was able to last through an
entire class, sitting out only a few poses, and practicing at home a
couple of days a week for about ten minutes a session. Now, four years
later, I attend an hour-long yoga class once a week that emphasizes
strength and stamina poses, I practice at home for ten to twenty minutes
four or five days a week, and I take my yoga mat with me whenever I
travel.
As my yoga practice has improved, my
drawings have become more active, more hopeful, and more energized. I draw
myself running, practicing more difficult yoga poses, and even swinging
upside down on a trapeze.
I am still struggling with my illness. Yoga
hasn't cured me of CFIDS, but it has become an important part of my life.
It helps me wake up in the morning, get the kinks out of my back after
I've been working on my computer, and stay sane until I can run again. I
often use yoga breathing exercises during the day to relax and clear my
mind when my life gets too hectic.
I've been surprised to learn that many of
the physical and mental benefits I got from running, such as stress
relief, physical strength, concentration, and a general feeling of
well-being, I now get from yoga. I'm much more flexible than I ever was as
a runner, which I know will help prevent injuries when I am able to be
more active. Most important, yoga has helped me understand the value of
balance, patience, and slowing down.
© 1998 by Erika Dillman
Excerpt posted with permission from http://www.twbookmark.com
Many thanks to Time Warner
Bookmark (Little, Brown & Company, Warner Books, A Time Warner
Company) at: www.twbookmark.com.
We appreciate their cooperation with OfSpirit.com to share this chapter of
their book with our visitors for education, entertainment and
empowerment.
Buy
this book from Amazon.com by clicking here